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RIVIDIA STUDIOS
Films built around fans, not the other way around.
RIVIDIA Studios produces films inside cultural verticals we own, with audiences we know.
ScrollCurrent slate
Projects with an audience before opening night.
Four works from a broader annual slate, presented here as production artifacts rather than campaign materials.
WRAITHLINE
Hana Iwasaki · In Production
1980s rural Pennsylvania. A forensic linguist investigates a series of disappearances connected to a local oral tradition.
CROONERS
Vincente Reyes · In Production
Christmas, 1947. The race for the holiday charts is run by men in tuxedos who would burn down a radio station to win it. The mafia of song.
SONS OF THE BURNING SKY
Marcus Devereaux · Post-Production
A modern military thriller.
TOO FAMILIAR
Naomi Auerbach · In Production
Two exes meet new people. The new people turn out to be brother and sister. The exes meet again at a holiday dinner neither of them was warned about. A romantic comedy about the small mercies of timing and the larger ones of grace.Audience divisions
Five rooms in one studio.
Each vertical has its own emotional register, audience relationship, and development logic. Together they form a portfolio.
NOIR
Elevated genre. Patient dread. Stories that earn their fear.
PARABLE
Stories that take faith seriously.
CRESCENDO
Cinema in concert with sound.
IRONHIDE
Velocity. Consequence. The genre cinema the majors abandoned.
HEARTH
Stories worth coming home to.
The Studio
We treat the audience relationship as the asset.
RIVIDIA Studios is organized around cultural verticals with known audiences, not anonymous openings. The model lets filmmakers work with clarity about who a story is for while preserving the patience and seriousness that prestige cinema requires.
The result is neither a traditional production company nor a platform. It is a studio architecture for films that can live all year with the communities that made them possible.
Read our approach