Talent

For filmmakers building more than one film.

RIVIDIA partners with directors, writers, producers, and creators whose work can compound across projects, audiences, and years.

What we offer

Infrastructure without flattening authorship.

RIVIDIA offers overhead-funded production company hosting, owned audience infrastructure, lower fees with materially higher backend, and talent equity pool participation for long-arc partners. The goal is not to absorb filmmakers into a machine, but to give serious creators a machine they can actually use.

Filmmakers in residence

A public selection of current partners.

NOIR

Hana Iwasaki

A formalist of dread whose films treat silence, folklore, and procedure as equally dangerous materials.

WRAITHLINE

NOIR

Marlowe Adair

A Southern nonfiction-horror hybridist interested in rivers, family testimony, and the ethics of looking twice.

CALLAWALLAHASEE

NOIR

Reuben Stahl

A western moralist with a severe visual language and a fascination with rule systems that become prisons.

PURITAN

PARABLE

Eitan Mor

A historical dramatist whose work finds sacred pressure in labor, household economies, and the human cost of obedience.

THE CARPENTER

CRESCENDO

Lena Aoki

A director of ensemble music films who builds narrative around rooms, rehearsals, and the emotional architecture of a track.

SAINT SEBASTIAN SESSIONS

CRESCENDO

Vincente Reyes

A genre stylist drawn to charm with teeth: old-world glamour, rivalry, and violence hiding behind perfect phrasing.

CROONERS

IRONHIDE

Marcus Devereaux

A disciplined action filmmaker focused on pressure, tactical consequence, and the moral grammar of command.

SONS OF THE BURNING SKY

HEARTH

Naomi Auerbach

A comedy director who stages embarrassment with compassion and believes family tables are some of cinema's hardest arenas.

TOO FAMILIAR

Open to

We are open to conversations with filmmakers, writers, production companies, estates, and music or media partners whose work belongs clearly inside one of the five verticals. Send concise materials to [email protected]. We do not need volume; we need fit.